About Me

 

I'm a designer, a writer, and an analyst.

I like maps. I like pictures. I like to figure out how things work.

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Monday
Mar122012

Groundtruthing: They were looking here; the first 25 years of commercial satellite photography, February 24, 1986 to February 23, 2011, Part I: Southern California

Using data from the analysis I conducted in December and January I have set out over the past two months to begin to document some of the spaces I have identified as both areas of high commerical satellite imagery collection and low commercial satellite imagery collection.

Why? To paraphrase Sir Edmund Hilary, because I want to know what is there.

For each county in southern California I identified these areas of high and low collection. For each of these areas I then identified the center—or rather what is called the centroid, which is a technical term for "approximately the center," "sort of the center," or "center-ish." For each of these points I determined its geographic coordinates, and then checked them on a map, hopped in my car, plugged the coordinates into my GPS and drove out to find what was there.

The results are both predicatable and surprising. These are a selection, though not necessarily the final set.


Los Angeles County: High


Los Angeles County: Low


Orange County: High

 

Orange County: Low

 

Ventura County: High

 

Ventura County: Low


Tuesday
Jan172012

Analysis: They were looking here; the first 25 years of commercial satellite photography, February 24, 1986 to February 23, 2011, Part I: Southern California

On February 22, 1986, the first commercial satellite, SPOT, was launched, and two days later on February 24, 1986, it began transmitting images back to Earth, and so began a new era in the long history of surveillance from the skies. What was once only available to only the most powerful militaries was now a commercial product available to businesses, to academics, and even to the public. While the number of images was initially a trickle, over the years more satellites were launched, more companies entered the market, and eventually the trickel became a flood. In a single generation we have moved from a world where space imagery, or aerial imagery of any kind, was rare and exotic, to a world where you can pull up a relatively recent image from space on your phone.

Not surprisingly, satellite imagery focuses on population centers, or on areas that are important in the news. Some companies use a standard collection plan, and others collect on a more ad hoc basis as a result of customer requests. There is not one business model for commercial satellite imagery production, there is no centralized requirements list that drives commercial satellite imagery collection, and there is no central repository for these images. As far as commcercial satellite production is concerned it is still a little wild, wild west in the cold reaches of near Earth orbit.

An unintended result of this competition is that for any given region on Earth, the location of maximum and minimum collection is totally unintentional. I will explain this more fully in a later post, but essentially it works out as follows: since there is no coordination between providers or clients, the location of images in time and space overlap in random and unintended ways.

The image above is the beginning of an exploration into where these unintended places are located, and into what is there. It is not a representation of images themselves but rather of their location, or what is often called their footprint. The image represents the overlaps of 49,141 images taken in the first 25 years of commercial satellite imagery, from the satellites operated by Astrium (SPOT 1-5, KOMPSAT-2), Digital Globe (QuickBird, WorldView-1, and WorldView-2), and GeoEye (GeoEye-1, and IKONOS). I'll get into the rationale behind this listin a later post, along with alternative lists. No matter how you lok at it though, this dataset is a pretty good start. Because of the limitations that I had on processnig power and time this image was created by converting each footprint, which is essentially an outline, into a grid of pixels, or also know as a raster, and then adding all of these pixels together. Again, more on this later.

The result is an image where the light areas represent areas on the Earth that have been photographed many times and the dark areas represent areas on the Earth that have been photographed few times. As this project progresses I will be experimenting with different ways to visualize and interpret this dataset, but even in this raw form strange and interesting patterns begin to emerge. These kinds of effects nearly always happens with this kind of data analysis, and I will be exploring some of the followon effects of these anomolies later.

For now I invite you to explore and ponder this strange artifact of a quarter century of human exploration.

Monday
Dec052011

"For Alexandra on the eve of her 29th birthday..." A wall drawing

For Alexandra on the eve of her 29th birthday: The path of the sun projected onto the south wall of Room 2250K, Broad Art Center, UCLA, Los Angeles, California, United States of America, ~118°26’W 34°05’N, seen from a distance of about 90” from the wall, drawn in real time in 10 minute increments on December 4, 2011 from 1730 to 2200 GMT, interrupted by chance from 1830 to 2040 GMT. is a wall drawing I created at UCLA's Design | Media Arts Program.

 

I used data from the United States Naval Observatory (USNO) to plot the location of the sun as it would been seen from 118°26'W 34°05'N on December 4, 2011. I combined this data with measurements of the geometry of Room 2250K, Broad Art Center, UCLA and used a bit of homebrewed analytics to project the path of the sun onto the south wall of the room. I then drew this path in real time in 10 minute increments — in other words I drew a point every 10 minutes representing the position of the sun at that moment, and then connected these points to form the arc.

Although I intended to be in Room 2250K throughout the day on December 4, 2011, I was called away. This time is represented by a broken line in the arc.

This piece is a new direction in a path that I started down many years ago. It is a drawing that at the same time records, time, place, activity, and thought. I hope to do more soon.

Tuesday
Oct252011

""TYPICAL" CLOTHING UCLA NORTH CAMPUS SITE 20111011 1020-1100GMT+7"

 

 "TYPICAL" CLOTHING UCLA NORTH CAMPUS SITE 20111011 1020-1100GMT+7 is the first in a series of projects I am creating at UCLA's Design | Media Arts Program that combines a number of personal and professional interests, including surveillance, image processing, and personal presentation.

The brief for the project:

Set up a surveillance site in a public area. Observe male pedestrians. Review the images and classify what clothing the persons in each image are wearing. Analyze the resulting classification notes and determine what is the typical clothing for this location.

Download a copy of the .pdf (6.3Mb).

Wednesday
Sep212011

I've started a new adventure: a MFA program in Design and Media Arts at UCLA!

After nearly four interesting and fruitful years at Esri, I have decided to spend a little time back in academia in UCLA's Design | Media Arts Department. I'm pursuing a Master's in Fine Arts degree, and I'm going to be studying how design and technology can interest to create both fine art and design solutions to a a range of real-world challenges.

Check this space for more work as it develops.